![]() ![]() ![]() It exists outside time, its only indicator a train within the film existential emptiness represented visually. Miller." What is so startling is that the color makes the film seem modern - and such a hazy yet lucid color, Maddin-like in its Expressionism and schemes: fable-like and emotionally incestuous. They're some of the purest images I've ever seen, comparable to "Barry Lyndon" and "McCabe & Mrs. (The mother and son in his film are not characters or types or ciphers or "performances.") The camera movements are so beautifully slow that they're hard to describe - imagine the precision of "Ordet" had it been made in color, those images still and hazy, like pastoral paintings with glowing hues of light. After opening with a distorted tableau, Sokurov moves slowly into images of stones, grass he's a naturalist who's addicted to nature a humanist who's dedicated to the intimate. ![]()
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